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Best recent

  • Parncutt, R. (2019). Mother schema, obstetric dilemma, and the origin of behavioral modernity. Behavioral Sciences, 9(12), 142.
  • Parncutt, R. (2019). The human cost of anthropogenic global warming: Semi-quantitative prediction and the 1000-tonne rule. Frontiers in Psychology (section Environmental Psychology),10, 2323. 
  • Parncutt, R., & Seither-Preisler, A. (2019). Live streaming at international academic conferences: Ethical considerations. Elementa: Science of the Anthropocene, 7, 55.
  • Parncutt, R., Meyer-Kahlen, N., & Sattmann, S. (2019). Live-streaming at international academic conferences: Technical and organizational options for single- and multiple-location formats. Elementa: Science of the Anthropocene, 7, 51. 
  • Parncutt, R. (2019). Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone. Journal of New Music Research, 48(5), 434-448.
  • Parncutt, R., Sattmann, S., Gaich, A., & Seither-Preisler, A. (2019). Tone profiles of isolated musical chords: Psychoacoustic versus cognitive models. Music Perception, 36 (4), 406–430.
  • Parncutt, R. (2018). Mother–infant attachment, musical idol worship, and the origins of human behavior. Musicae Scientiae, 22(4), 474–493.
  • Parncutt, R., Reisinger, D., Fuchs, A., & Kaiser, F. (2018). Consonance and prevalence of sonorities in Western polyphony:  Roughness, harmonicity, familiarity, evenness, diatonicity. Journal of New Music Research, 48(1), 1-20.

Best older

  • Parncutt, R. (2014). The emotional connotations of major versus minor tonality: One or more origins? Musicae Scientiae, 18, 324-353.
  • Parncutt, R., & Hair, G. (2011). Consonance and dissonance in theory and psychology: Disentangling dissonant dichotomies. Journal of Interdisciplinary Music Studies, 5, 119-166. pdf
  • Parncutt, R. (2011). The tonic as triad: Key profiles as pitch salience profiles of tonic triads. Music Perception, 28, 333-365. pdf
  • Parncutt, R. (2009). Prenatal and infant conditioning, the mother schema, and the origins of music and religion. Musicae Scientiae, Special issue on Music and Evolution (Ed. O. Vitouch & O. Ladinig), 119-150. pdf
  • Parncutt, R., & McPherson, G. E. (Eds., 2002). The science and psychology of music performance: Creative strategies for teaching and learning. New York: Oxford University Press.
  • Parncutt, R. (1994). A perceptual model of pulse salience and metrical accent in musical rhythms. Music Perception, 11, 409-464. pdf
  • Parncutt, R. (1989). Harmony: A psychoacoustical approach. Berlin: Springer-Verlag.
  • Parncutt, R. (1988). Revision of Terhardt's psychoacoustical model of the root(s) of a musical chord. Music Perception, 6, 65-94. pdf

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Univ.-Prof. Dr.phil.

Richard Parncutt

Univ.-Prof. Dr.phil. Richard Parncutt Centre for Systematic Musicology

Merangasse 70
8010 Graz, Austria

Telefon:+43 316 380 - 8161

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