Publications

Monographs

  1. Moveable Designs, Liminal Aesthetics, and Cultural Production in America since 1772. Palgrave Macmillan, 2022.
  2. The Culture of Corporeality: Aesthetic Experience and the Embodiment of America (1945 - 1960). Heidelberg: Carl Winter, 2007. (Book Summary)
  3. Inszenierte Männlichkeit: Körperkult und ›Krise der Maskulinität‹ im spätviktorianischen Amerika. [Staged Masculinity: Body Cult and ›Crisis of Masculinity‹ in Late Victorian America]. Berlin: WVB, 2007. (German Book Summary; English Book Summary)
  4. Männerblicke. Zur Konstruktion von ‘Männlichkeit’ in der Literatur und Kultur der amerikanischen Jahrhundertwende (1890-1914). [Male Gazes: On the Construction of ›Masculinity‹ in Turn-of-the-Century American Literature and Culture]. Stuttgart: Metzler (M & P), 1997. (Review in The Journal of American History 86.2, Sep. 1999)

 

Anthologies

  1. Electronic Wastelands? Information Management, Cultural Memory, and the Challenges of Digitality. Eds. Stefan L. Brandt, Frank Mehring, and Tatiani G. Rapatzikou. AmLit – American Literatures, vol. 3, no.1, 2022. https://amlit.eu/index.php/amlit/issue/view/6. DOI: https://doi.org/10.25364/27.3:2023.1.0. Gen. eds. S.L. Brandt, B. Buchenau, D. Izzo, P. McGowan, F. Mehring, M. Peprnik, T.G. Rapatzikou, and I. Tskhvediani.
  2. John Dos Passos: The Business of a Writer, Hg. Miguel Oliveira, AmLit – American Literatures, vol. 2, no.2, 2022. https://amlit.eu/index.php/amlit/issue/view/4. DOI: 10.25364/27.2:2022.2.0, als General Editor, zus. mit Barbara Buchenau, Donatella Izzo, Philip McGowan, Frank Mehring, Michal Peprnik, Tatiani G. Rapatzikou, and Irakli Tskhvediani.
  3. Fictions of Distance in Recent American Literature, Hg. Fabian Eggers and Sonja Pykkö,  AmLit – American Literatures, vol. 1, no.1, 2021. https://amlit.eu/index.php/amlit/issue/view/3. DOI: 10.25364/27.2:2022.1.0, als General Editor, zus. mit Barbara Buchenau, Donatella Izzo, Philip McGowan, Frank Mehring, Michal Peprnik, Tatiani G. Rapatzikou, and Irakli Tskhvediani.
  4. Testimonial Encounters in the Americas, eds. Leila Moayeri Pazargadi and Molly Dooley Appel, AmLit – American Literatures, vol. 1, no.1, 2021. https://amlit.eu/index.php/amlit/issue/view/5. DOI: 10.25364/27.1:2021.1.0, as general editor, together with Barbara Buchenau, Donatella Izzo, Philip McGowan, Frank Mehring, Michal Peprnik, Tatiani G. Rapatzikou, and Irakli Tskhvediani.
  5. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror. Ed. with Michael Fuchs & Stefan Rabitsch. Jackson: Univ. of Mississippi Press. 2021.
  6. Ecomasculinities: Negotiating Male Gender Identity in U.S. Fiction. Ed. with Rubén Cenamor. Lanham, Maryland: Lexington Books [Rowman & Littlefield], 2019. Paperback in 2021.
  7. Space Oddities: Difference and Identity in the American City. Ed. with Michael Fuchs. Wien & Münster: LIT Verlag, 2018.
  8. Animals in American Television. Ed. with Michael Fuchs. Special Issue European Journal of American Studies. 13.1 (2018). https://journals.openedition.org/ejas/12441.   
  9. In-Between: Liminal Spaces in Anglo-Canadian Literature. Canadiana Series. New York et al.: Peter Lang, 2017.
  10. Transcultural Spaces: Challenges of Urbanity, Ecology, and the Environment in the New Millennium. Ed. with Winfried Fluck and Frank Mehring. Special Issue of REAL: Yearbook of Research in English and American Literature, vol. 26. Tübingen: Gunter Narr, 2010. (Table of Contents und Introduction)
  11. Making National Bodies: Cultural Identity and the Politics of the Body in (Post-)Revolutionary America. Ed. with Astrid M. Fellner. Trier: WVT, 2010. (Table of Contents und Introduction)
  12. Transnational American Studies. Ed. with Winfried Fluck and Ingrid Thaler. Special Issue of REAL: Yearbook of Research in English and American Literature, vol. 23. Tübingen: Gunter Narr, 2007. (Table of Contents und Introduction)
  13. Film as Symbolic Action: Douglas Sirks ›Imitation of Life‹ (1959) als Paradigma kultureller Selbstverständigung im Amerika der 1950er Jahre. [Douglas Sirk's ›Imitation of Life‹ as a Paradigm of Cultural Self-Fashioning in 1950s America] Ed. Stefan L. Brandt. Berlin: John-F.-Kennedy-Institute for North American Studies, Freie Universität Berlin, Working-Paper No. 119, 1999. (Introduction)

 

Book Chapters, Essays for Journals, and Shorter Articles

  1. »Introduction« (with Frank Mehring and Tatiani G. Rapatzikou). Electronic Wastelands? Information Management, Cultural Memory, and the Challenges of Digitality. Eds. Stefan L. Brandt, Frank Mehring, and Tatiani G. Rapatzikou. AmLit – American Literatures, vol. 3, no.1, 2022. https://amlit.eu/index.php/amlit/article/view/123. DOI: 10.25364/27.2:2022.2.0. Gen. eds. S.L. Brandt, B. Buchenau, D. Izzo, P. McGowan, F. Mehring, M. Peprnik, T.G. Rapatzikou, and I. Tskhvediani, 4-14.
  2. »Towards a Poetics of Fact: Subjugated Knowledges, Historiographic Metafiction, and the ‘Terrible Truth’ behind Words in Early Nineteenth-Century American Literature.« Writing Facts. Ed. Susanne Knaller. Bielefeld: transcript, 2023.
  3. »›Lighting Out for the Territories‹: Ecomasculinities in U.S. American Literature.« Routledge Companion to Masculinity in American Literature and Culture. Ed. Lydia R. Cooper. New York et al.: Routledge, 2021, 74-90.
  4. »Coyote Practices – Ecomasculinities in Postmodern North American Literature.« Men, Masculinities, and Earth: Contending with the (m)Anthropocene. Eds. Paul Pulé and Martin Hultman. Palgrave Studies in the History of Science and Technology. New York: Palgrave Macmillan, 2021, 445-462.
  5. »Daze of Doom – Globalization and the Transformation of National Paradigms in U.S. American Environmental Films.« The Humanities in the Age of Globalization. Eds. Irakli Tskhvediani et al. Kutaisi: Akaki Tsereteli State University Press, 2021, 1-13. 
  6. »Fear of an Islamic Planet? Intermedial Exchange and the Rhetorics of Islamophobia.« European Journal of American Studies (special issue Media Agoras: Islamophobia and Inter/Multimedia Dissensus, eds. Elena Furlanetto & Frank Mehring) 15.3 (Fall 2020). https://journals.openedition.org/ejas/16159.
  7. »Donald Trump, the Reality Show: Populism as Performance and Spectacle.« Zeitschrift für Literaturwissenschaft und Linguistik. Special issue on »Populism.« Eds. Constanze Spiess and Georg Weidacher, 2020. https://link.springer.com/article/10.1007/s41244-020-00170-3
  8. »Time Ravel: History, Metafiction, and Immersion in Stephen King's 11/22/63«. The Modern Stephen King Canon: Beyond Horror. Eds. Philip L. Simpson & Patrick McAleer. New York, London, et al.: Lexington Books, 2019, 183-202.
  9. »Introduction: Ecomasculinities in North American Literary and Cultural Practice« (with Rubén Cenamor). Negotiating New Forms of Male Gender Identity in North America. Eds. Stefan L. Brandt & Rubén Cenamor. Lanham: Lexington Books [Rowman & Littlefield], 2018. vii-xvi.
  10. »The Wild Ones: Ecomasculinities in the American Literary Imagination.« Ecomasculinities: Negotiating Male Gender Identity in U.S. Fiction. Eds. Stefan L. Brandt & Rubén Cenamor. Lanham: Lexington Books [Rowman & Littlefield], 2018, 1-30.
  11. »Animals on American Television: Introduction to the Special Issue« (with M. Fuchs). Eds. Michael Fuchs & Stefan L. Brandt. Special Issue European Journal of American Studies 13.1 (2018): 1-7.
  12. »Horsing Around: Carnivalesque Humor and the Aesthetics of Dehierarchization in Mister Ed«. European Journal of American Studies 13.1 (2018) https://journals.openedition.org/ejas/pdf/12474 [peer-reviewed].
  13. »›Riddles of the Painful Earth‹: Mark Twain, William Dean Howells, and the Aesthetics of the Commonplace«. Revisionist Approaches to American Realism and Naturalism. Eds. Jutta Ernst, Sabina Matter-Seibel, and Klaus Schmidt. Heidelberg: Winter, 2018. 35-46 [peer-reviewed]. 
  14. »Space Oddities in/and American Cities« (with Michael Fuchs). Space Oddities: Urbanity, American Identity, and Cultural Exchange. Eds. S.L. Brandt & M. Fuchs. Vienna & Münster: LIT Verlag. 2018. 9-25.   
  15. »History, Time, and Lived Experience in Toni Morrison's Beloved (1987), Jazz (1992), and Paradise (1997)«. ZAA (Zeitschrift für Anglistik und Amerikanistik) 4 (Dez. 2017) [peer-reviewed]. 
  16. »The Canadian Cultural Imaginary and Its Liminal Aesthetics«. In-Between: Liminal Spaces in Canadian Literature and Culture. Ed. S.L. Brandt. Canadiana Series. New York et al.: Peter Lang, 2017. 11-31.
  17. »Open Doors, Closed Spaces: The Transatlantic Imaginary in American City Writing from Post-Revolutionary Literature to Postmodernism«. Cities and the Circulation of Culture in the Atlantic World. Eds. Leonard Van Morze and Elizabeth Fay. New York: Palgrave Macmillan, 2017. 179-205 [peer-reviewed].   
  18. »The American Revolution and Its Other: Mimicry and Specularity as Performative Devices in Indigenous Resistance Writing from William Apess to Sherman Alexie«. AAA (Arbeiten aus Anglistik und Amerikanistik) 42.1 (2017): 35-56 [peer-reviewed]. 
  19. »The Wild, Wild World: Masculinity and the Environment in the American Literary Imagination«. Masculinities and Literary Studies: Intersections and New Directions. Eds. Josep M. Armengol, Marta Bosch-Vilarrubias, Àngels Carabi, and Teresa Requena-Pelegrí. Series ›Routledge Advances in Feminist Studies and Intersectionality‹, gen. eds. Jeff Hearn and Nina Lykke. New York: Routledge, 2017. 133-143. 
  20. »The Algerine Dilemma: (Cons)Piracy and the Specter of North Africa in Early U.S. Barbary Captivity Narratives«. Hemispheric Encounters: The Early United States in a Transnational Perspective. Ed. Gabriele Pisarz-Ramirez & Markus Heide. Frankfurt a.M., New York, et al.: Peter Lang, 2016. 157-171 [peer-reviewed]. 
  21. »›One of Those Guys in the Movies‹: Juvenile Rebellion and Carnal Subjectivity in J.D. Salinger’s The Catcher in the Rye«. Polish Journal for American Studies 10 (2016): 49-64 [peer-reviewed]. 
  22. »›Not a puzzle so arbitrarily solved‹: Queer Aesthetics in Alice Munro's Short Fiction.« Zeitschrift für Kanadastudien 36 (2016): 28-41 [peer-reviewed]. 
  23. »A Farewell to the Senses? Hemingway, Remarque, and the Aesthetics of World War I«. North America, Europe and the Cultural Memory of the First World War. Eds. Martin Löschnigg and Karin Kraus. Heidelberg: Winter, 2015, 215-25.
  24. »Scale, Media Transfer, and Bodily Space in ›Giant Movies‹ of the Fifties«. In: Transmediality and Transculturality. Eds. Nadja Gernalzick & Gabriele Pisarz-Ramirez. Heidelberg: Carl Winter, 2013, 349-67.
  25. »Trafficking in Blackness? The Coolness of ›Black‹ and the Politics of Ethnic Marketing«. In: Is It Cause It’s Cool? Affective Encounters with American Culture. Eds. Astrid M. Fellner, Susanne Hamscha, Klaus Heissenberger, and Jennifer J* Moos. Vienna & Münster: LIT, 2013, 201-24.
  26. »Sex, Lügen und Video-Clips: Szenarien krisenhafter Männlichkeit in der zeitgenössischen Populärkultur [Sex, Lies, and Video-Clips: The ›Crisis of Masculinity‹ in American Popular Culture«. In: Die Krise als Erzählung: Transdisziplinäre Perspektiven auf ein Narrativ der Moderne. Eds. Walburga Hülk, Uta Fenske, and Gregor Schuhen. Berlin und Bielefeld: transcript, 2013, 189-204.
  27. »Guy Maddin, My Winnipeg (2007)«. In: Film: Part II. Eds. Susanne Peters, Klaus Stierstorfer, Dirk Vanderbeke, Laurenz Volkmann. Trier: WVT, 2013, 481-505.
  28. »Portable Blackness: Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem«. Proceedings of the 6th World Congress of the International American Studies Association (IASA). Ed. Sonia Torres. Universidade Federal Fluminense, Rio de Janeiro, Brazil. June 2011. http://www.historia.uff.br/iasa2011/sites/default/files/panel/pdf/configurations-race-and-ethnicity-21st-century-cultural-imaginaries-representational-politics-and-c.pdf [peer-reviewed]. 
  29. »American Cultural ImagiNation: The New Americanists and the Bush Revolution«. (with Alexander Vazansky). In: American Studies / Shifting Gears. Eds. B. Christ, C. Kloeckner, E. Schäfer-Wünsche, M. Butter. Heidelberg: Carl Winter, 2010, 65-88 [peer-reviewed]. 
  30. »TransAmerica? Cultural Hybridity and Transgendered Desire from the Colonial Era to Modernity«. In: Trans/American, Trans/Oceanic, Trans/lation: Issues in International American Studies. Eds. João Ferreira Duarte, Marta Pacheco Pinto, & Susana Araújo. Cambridge, UK: Cambridge Scholars Publishing, 2010, 247-61 [peer-reviewed]. 
  31. »Transcultural Spaces« (with Winfried Fluck & Frank Mehring). Transcultural Spaces: Challenges of Urbanity, Ecology, and the Environment in the New Millennium. Eds. Stefan L. Brandt, Winfried Fluck and Frank Mehring. REAL: Yearbook of Research in English and American Literature, Vol. 26. Tübingen: Gunter Narr, 2010, ix-xviii.
  32. »Open City, Closed Space: Metropolitan Aesthetics in American Literature from Brown to DeLillo«. Transcultural Spaces: Challenges of Urbanity, Ecology, and the Environment in the New Millennium. Eds. Stefan L. Brandt, Winfried Fluck and Frank Mehring. REAL: Yearbook of Research in English and American Literature, Vol. 26. Tübingen: Gunter Narr, 2010, 121-44.
  33. »Making the Body, Making America« (with Astrid M. Fellner). In: Making National Bodies: Cultural Identity and the Politics of the Body in (Post-) Revolutionary America. Eds. Stefan L. Brandt & Astrid M. Fellner. Trier: WVT, 2010, 1-7.
  34. »Exploring the ›Heart of the Wilderness‹: Cultural Self-Fashioning and the Aesthetics of the Body in Charles Brockden Brown's Edgar Huntly, or, Memoirs of a Sleep-Walker«. In: Making National Bodies: Cultural Identity and the Politics of the Body in (Post-)Revolutionary America. Eds. Stefan L. Brandt & Astrid M. Fellner. Trier: WVT, 2010, 121-40 .
  35. »The American Dream as a Tall Tale: Storytelling and Cultural Mythology in F. Scott Fitzgerald’s The Great Gatsby and the Coen Brothers’ Fargo«. In: Almighty Dollar: Papers and Lectures from the Velden Conference. Eds. Heinz Tschachler, Eugen Banauch, Simone Puff. Vienna & Münster: LIT Verlag, 2010, 223-35 [peer-reviewed]. 
  36. »The City as Liminal Space: Urban Visuality and Aesthetic Experience in Postmodern U.S. Literature and Cinema«. Amerikastudien – American Studies 54.4 (2009): 553-81 [peer-reviewed]. 
  37. »›The Finest Type of Existing Marriage‹: Family and Nationhood in Theodore Roosevelt’s Speeches and Writings«. In: Arbeiten aus Anglistik und Amerikanistik (AAA) 34:2 (2009): 269-91. Re-Published in: The American Presidency. Eds. Wilfried Mausbach, Dietmar Schloss, and Martin Thunert. Heidelberg: Winter, 2012, 229-54.
  38. »›One Should Be a Work of Art‹: Selbststilisierungsprozesse bei Dandys gestern und heute [›One Should be a Work of Art‹: Dandyism and the Codes of Self-Fashioning]« (with Martina Krebs). In: Der fremdsprachliche Unterricht • Englisch. Eds. Anette Pankratz & Jutta Rymarczyk. 102 (Nov. 2009): 42-4 [peer-reviewed]. 
  39. »The Culture of Corporeality: Aesthetic Experience and the Embodiment of America, 1945 - 1960«. In: English and American Studies in German. Summaries of Theses and Monographs – A Supplement to Anglia. Tübingen: Niemeyer (2008): 137-9.
  40. »Staged Masculinity: Body Cult and ›Crisis of Manhood‹ in Late Victorian America«. In: English and American Studies in German. Summaries of Theses and Monographs – A Supplement to Anglia. Tübingen: Niemeyer (2008): 134-7.
  41. »The Challenges of Transnational American Studies« (with Winfried Fluck & Ingrid Thaler). In: Transnational American Studies. Eds. W. Fluck, S. Brandt & I. Thaler. Special Issue of REAL: Year­book of Research in English and American Literature, Vol. 23. Tübingen: Gunter Narr, 2007, 1-7.
  42. »Kino als Karneval der Männlichkeit: (Selbst-)Ironie und Intertextualität in den frühen James-Bond-Filmen [Cinema as a Carnival of Masculinity: (Self-)Irony and Intertextuality in the Early James-Bond Movies]«. In: Das kleine Bond-Buch: From Cultural Studies with Love. Eds. Ellen Grünkemeyer, Martina Iske, Jürgen Kramer, Anette Pankratz & Claus-Ulrich Viol. Marburg: Schüren, 2007, 121-37.
  43. »The Literary Text as a ›Living Event‹: Visceral Language and the Aesthetics of Rebellion in J. D. Salinger's The Catcher in the Rye«. In: Rebels without a Cause? Renegotiating the American 1950s. Eds. Gerd Hurm & Ann-Marie Fallon. New York, Oxford, et al.: Peter Lang, 2007, 31-56.
  44. »›A Room Far Out‹: Ethnic/Sexual Borderlands and the Discursive Limits of Space in James Baldwin's Giovanni's Room«. In: Masculinities, Femininities, and the Power of the Hybrid in U.S. Narratives. Eds. Nieves Pascual Soler, Laura Alonso-Gallo & Francisco Collado Rodríguez. Heidelberg: Carl Winter, 2007, 173-89 [peer-reviewed]. 
  45. »›Surface, Surface, Surface‹: Image Creation, Commodity Fetishism, and the Fragmentation of the Post­modern Subject«. In: Worlds in the Making: Constructivism and Postmodern Knowledge. Eds. Edyta Lorek-Jezińska, Teresa Siek-Piskozub & Katarzyna Wiêckowska. Torun: Nicolaus Copernicus University Press, 2006, 315-23.
  46. »Performanz und Selbstermächtigung: Zur Ästhetik des Körperlichen bei James Dean«. In: James Dean lebt! Jugendkultur und Starkult in Film und Musik, 1950-2000. Eds. Werner Kremp, with Charlotte Gerken and Peter Sommerlad. Trier: WVT, 2006, 11-52.
  47. »White Bo(d)y in Wonderland: Cultural Alterity and Sexual Desire in Where East Is East«. In: The Films of Tod Browning. Ed. Bernd Herzogenrath. New York: Black Dog Publications, 2006, 129-49. (Review in »EAAS Book Reviews«)
  48. »Hawthorne's Negative Romanticism: Aesthetic Self-Reflection and the Discursivity of Storytelling in ›Rappaccini’s Daughter‹«. In: Aesthetic Transgressions: Modernity, Liberalism, and the Function of Literature. Ed. Thomas Claviez, Ulla Haselstein & Sieglinde Lemke. Heidelberg: Carl Winter, 2006, 195-220.
  49. »Astronautic Subjects: Postmodern Identity and the Embodiment of Space in American Science Fic­tion«. In: Gender Forum 16 (Issue »Gender Roomours II: Gender and Space«) (Winter 2006/07) http://genderforum.org/wp-content/uploads/2017/05/200616_GenderRoomoursII.pdf [peer-reviewed].
  50. »Polysemantik und Entropie: Zur Ästhetik der Ambiguität bei Henry James und Thomas Pynchon [Polysemantics and Entropy: On the Aesthetics of Ambiguity in Henry James and Thomas Pynchon]«. In: Literaturwissenschaftliches Jahrbuch 46 (2005): 303-29 [peer-reviewed]. 
  51. »›A Twilight of the Gods‹: History, Subversion, and the Spectacle of Utopia in Contemporary American Culture«. In: Millennial Perspectives: Lifeworlds and Utopias. Eds. Brigitte Georgi-Findlay & Hans-Ulrich Mohr. Heidelberg: Winter, 2003, 131-41.
  52. »›Acting Heroes‹: Heroes, Homos, and the Postmodern in Recent Hollywood Cinema«. In: Masculinities — Maskulinitäten: Mythos – Realität – Repräsentation - Rollendruck. Ed. Therese Steffen. Stuttgart & Weimar: Metzler, 2002, 92-9.
  53. »American Culture X: Identity, Homosexuality, and the Search for a New American Hero«. In: Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture. Eds. Russell West & Frank Lay. Amsterdam & Atlanta: Rodopi, 2000, 67-93.
  54. »Das andere Element: Wie in Luc Bessons The Fifth Element mit Sex Politik und aus Politik Sex gemacht wird [The Other Element: How Luc Besson's The Fifth Element Constructs Sex as Politics and Politics as Sex]«. In: diskus 7 (2000): 64-72.
  55. »Film as Symbolic Action: Eine Einführung zum Reader [Introduction to Anthology]«. In: Film as Symbolic Action: Douglas Sirks Imitation of Life (1959) als Paradigma kultureller Selbstverständigung im Amerika der 1950er Jahre [Douglas Sirk's Imitation of Life as a Paradigm of Cultural Self-Fashioning in 1950s America]. Ed. Stefan L. Brandt. Berlin: John F. Kennedy Institute for North American Studies, FU Berlin, 1999, 1-20. (Text)
  56. »›Getting to Know the Enemy‹: Zur Entwicklung der Amerikastudien von der Weimarer Republik zum Dritten Reich und im Deutschland der Nachkriegszeit [›Getting to Know the Enemy‹: On the Genealogy of American Studies from the Weimar Republic to the Third Reich and the Postwar Era]«. In: Arbeitsblätter der Heinrich-Böll-Stiftung 4 (1994): 13-23.

 

Reviews

  1. Boesenberg, Eva. Money and Gender in the American Novel, 1850 - 2000. Heidelberg: Winter, 2010. In: Querelles-net: Rezensionszeitschrift für Frauen- und Geschlechterforschung 12.1 (2011). http://www.querelles-net.de/index.php/qn/article/view/925/907
  2. Breinig, Helmbrecht. Mark Twain: Eine Einführung in sein Werk. Darmstadt: WBG, 2011. In: Archiv für das Studium der Neueren Sprachen und Literaturen. Eds. Jens Haustein, Christa Jansohn, et al. Vol. 249, 2012, 239-40.
  3. Dabakis, Melissa. Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic, 1880-1935. (Cambridge et al.: Cambridge Univ. Press, 1999). In: ZAA: Zeitschrift für Anglistik und Amerikanistik. A Quarterly of Language, Literature and Culture 48.4 (Winter 2000/2001): 391-3.
  4. Fitzgerald, F. Scott. The Beautiful and the Damned (Vol. IX of Cambridge Edition of the Works of F. Scott Fitzgerald, ed. James L.W. West, Cambridge: Cambridge UP, 2008) and The Lost Decade. Short Stories from ‘Esquire’, 1936-1941 (Vol. X of Cambridge Edition of the Works of F. Scott Fitzgerald, ed. James L.W. West, Cambridge: Cambridge UP, 2008). In: Editionen in der Kritik (EDK) 10 (2011): 94-107.
  5. Hornung, Alfred, ed. Sexualities in American Culture. (American Studies – A Monograph Series. Vol. 8). (Heidelberg: Winter, 2004). In: Amerikastudien – American Studies 50.1-2 (2005): 301-3.
  6. Kalb, Christof. Desintegration: Studien zu Friedrich Nietzsches Leib- und Sprachphilosophie. (Frankfurt a.M.: Suhrkamp, 2000). In: Das Argument 240.2 (2001): 230-232.
  7. Pietrzak-Franger, Monika. Representations of Men in British Visual Culture of the 1990s (Trier: WVT, 2007). In: Visual Culture & Gender 4 (Sep. 2009): 91-95.
  8. Widdig, Bernd. Männerbünde und Massen. Zur Krise männlicher Identität in der Literatur der Moderne. (Opladen: Westdeutscher Verlag, 1992). In: Das Argument 207.6 (1994): 992-994. 

 

 Feuilleton and Interviews

  1. »Warnende Visionen.« Interview mit Stefan L. Brandt und Klaus Kastberger, by Gerhild Leljak. In: UniZeit. https://uni-graz.e-publikation.de/de/1-2023/kunst. 16. Jan. 2023.
  2. »Stephen Crane, ›Das blaue Hotel‹ (1898)«. Konzerthaus Wien, Literaturzyklus Musik und Dichtung: Adam in Amerika. Evening program. 22. Jan. 2020.
  3. Interview on the indigenous artists William Apess and Kent Monkman. [With Rubén Cenamor]. Masculinities and Literary Studies: Intersections and New Directions. Eds. Josep M. Armengol, Marta Bosch-Vilarrubias, Àngels Carabi & Teresa Requena-Pelegrí. Series ›Routledge Advances in Feminist Studies and Intersectionality‹, gen. eds. Jeff Hearn and Nina Lykke. New York: Routledge, 2017. 199-201.
  4. »F. Scott Fitzgerald: Unbekannte Erzählungen.« Interview with Wolfgang Popp, ORF 1 (Radio). 11 Apr. 2017.
  5. »Stöbern und Staunen.« Interview mit Gerhild Kastrun zum Medienarchiv am Department of American Studies. 2 Dec. 2016. http://amerikanistik.uni-graz.at/de/neuigkeiten/detail/article/stoebern-und-staunen-1/
  6. »Santa Claus is coming.« Interview »Der U.S. amerikanische Weihnachtsmann hat – wie so viele seiner Landsleute – eigentlich europäische Wurzeln.« (Dagmar Eklaude).  uni-on: Das Online-Magazin of the University of Graz. 22 Dec. 2016. https://on.uni-graz.at/de/detail/article/santa-claus-is-coming/.
  7. »Jemand hat die Absicht, eine Mauer zu bauen – Zum Unbehagen im amerikanischen Präsidentschaftswahlkampf«. GeWitter (June 2016): 22-25.
  8. »Warum dieser Tuesday in den USA gar so super ist.« Interview. Webradio of the Graz Universities. 01 March 2016. http://fttr.at/2016/03/01/warum-dieser-tuesday-in-den-usa-so-super-ist.
  9. »›Von Amerika da komm ich her‹? Über den Mythos von den ›amerikanischen‹ Wurzeln des Weihnachtsmanns.« uni-on: Das Onlinemagazin der Uni Graz. 15 Dec. 2015. http://on.uni-graz.at/de/detail/article/von-amerika-da-komm-ich-her.
  10. »Christkind und Santa: Wer hat sie erfunden«. Interview. Kleine Zeitung. 20 Dec. 2015. http://www.kleinezeitung.at/s/steiermark/4891200/Heisse-Diskussion_Christkind-und-Santa_Wer-hat-sie-erfunden.
Univ.-Prof. Mag. Dr.

Stefan L. Brandt

M.A.

Department of American Studies
Heinrichstraße 18/I, 8010 Graz

Phone:+43 316 380 - 2466
Fax:+43 316 380 - 9768


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