Zeitschriftenartikel
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Parncutt, RichardDavid Temperley: Music and Probability (review).In: Psychology of Music. 36. 2008. 501 - 506.Forschung: Beitrag in Zeitschrift > Rezension
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Parncutt, RichardCan researchers help artists? Music performance research for music students.In: Music Performance Research. 1. 2007. 13 - 50.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardSystematic musicology and the history and future of Western musical scholarship.In: Journal of Interdisciplinary Music Studies = Disiplinlerarasi Muezik Arastirmalari Dergisi. 1. 2007. 1 - 32.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Hair, G.; Pearson, I.; Morrison, A.; Bailey, N.; McGilway, D.; Parncutt, RichardThe Rosegarden Codicil: Rehearsing music in nineteen-tone equal temperament.In: Scottish Music Review. 1,1. 2007.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardCommentary on Mashinter's "Calculating sensory dissonance".In: Empirical Musicology Review. 1,4. 2006.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardPeer commentary on N. D. Cook & T. X. Fujisawa, "The psychophysics of harmony perception: Harmony is a three-tone phenomenon".In: Empirical Musicology Review. 4,1. 2006.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardInterdisciplinary Musicology. Forward to Musicae Scientiae, special issue 2005-2006.In: Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music. special issue 2005-2006. 2006. 7 - 11.Forschung: Beitrag in Zeitschrift > Anderer Beitragstyp
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Parncutt, Richard; Ferguson, SeanComporre con l'apporto di un algoritmo di teoria della percezione.In: Rivista di Analisi e Teoria Musicale. 10,2. 2005. 103 - 118.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardBreve storia delle musicologia multi- e interdisciplinare.In: Rivista di Analisi e Teoria Musicale. 10,2. 2005. 10 - 14.Forschung: Beitrag in Zeitschrift > Anderer Beitragstyp
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Parncutt, Richard; Troup, M.El Piano.In: Quodlibet: Revista de especialización musical.. 27. 2003. 48 - 69.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, Richard; Bregman, Albert S.Tone profiles following short chord progressions: Top-down or bottom-up?In: Music Perception. 18,1. 2000. 25 - 57.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Bigand, Emmanuel; Parncutt, RichardPerceiving musical tension in long chord sequences.In: Psychological Research: An International Journal of Perception, Attention, Memory, and Action. 62. 1999. 237 - 254.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, Richard; Sloboda, John A.; Clarke, Eric F.Interdependence of right and left hands in sight-read, written, and rehearsed fingerings of parallel melodic piano music.In: Australian Journal of Psychology. 1999.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Sloboda, John A.; Clarke, Eric F.; Parncutt, Richard; Raekallio, MattiDeterminants of fingering choice in piano sight-reading.In: JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE. 1998.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardReply to Balsach (letter).In: Journal of New Music Research. 27. 1998. 416 - 417.Forschung: Beitrag in Zeitschrift > Anderer Beitragstyp
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Parncutt, RichardListening to music in the real world? A critical discussion of Marc Leman’s "Music and Schema Theory: Cognitive Foundations of Systematic Musicology".In: Journal of New Music Research. 1998.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Gellrich, Martin; Parncutt, RichardPiano technique and fingering in the 18th and 19th centuries: Bringing a forgotten method back to life.In: British Journal of Music Education. 1998.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Clarke, Eric F.; Parncutt, Richard; Raekallio, Matti; Sloboda, John A.Talking fingers: An interview study of pianists’ views on fingering.In: Musicae Scientiae. 1997.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, Richard; Sloboda, John A.; Clarke, Eric F.; Raekallio, Matti; Desain, PeterAn ergonomic model of keyboard fingering for melodic fragments.In: Music Perception. 1997.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Thompson, William F. ; Parncutt, RichardPerceptual judgments of triads and dyads: Assessment of a psychoacoustic model.In: Music Perception. 1997.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardSeminar on Regulation of Creative Processes in Music (Berlin, Germany, July, 1996). review.In: Computer Music Journal. 21,1. 1997. 68 - 69.Forschung: Beitrag in Zeitschrift > Rezension
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Parncutt, Richard4th International Symposium on Systematic Musicology (Brugge, Belgium); and 12. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie.In: ESCOM Notebook. 1997.Forschung: Beitrag in Zeitschrift > Rezension
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Parncutt, RichardPraxis, Lehre, Wahrnehmung. Kritische Bemerkungen zu Roland Eberlein: Die Entstehung der tonalen Klangsyntax.In: Musiktheorie. 1996.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Bigand, Emmanuel; Parncutt, Richard; Lerdahl, FredPerception of musical tension in short chord sequences: Influence of harmonic function, sensory dissonance, horizontal motion, and musical training.In: PERCEPTION & PSYCHOPHYSICS. 1996.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag
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Parncutt, RichardAll-White Tetragram: A half-step down from Ailler-Brennik Notation.In: Music Notation News. 6,3. 1996. 42 - 46.Forschung: Beitrag in Zeitschrift > Originalbeitrag/Fachbeitrag