Zeitschriftenartikel

Grounding the ICMPC.

Mother–infant attachment, musical idol worship, and the origins of human behavior.

A psychocultural theory of musical interval: Bye bye Pythagoras.

Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity.

The reliability/validity of cognitive/emotional approaches to the evaluation of musical performance: Implications for competition juries.

Andrzej Rakowski 1931–2018, internationally distinguished scholar and founding member of ESCOM.

On the ontology and epistemology of musical intervals … or bye bye Pythagoras. .

Chuckrow’s theory of the prenatal origin of music.

The two cultures in German translation: Humanities, science, and Wissenschaft.

Ricerca musicale e pratica educativa: quali applicazioni possibili? .

Style-dependency of melodic expectation: Changing the rules in real time.

Error management for musicians: An interdisciplinary conceptual framework.

The emotional connotations of major versus minor tonality: One or more origins?

Thinking outside the box: A tribute to Ernst Terhardt on his 80th birthday.

Size and synchronization of auditory cortex promotes musical, literacy, and attentional skills in children.

Size and synchronization of auditory cortex promotes musical, literacy, and attentional skills in children.

Major-minor tonality, Schenkerian prolongation, and emotion: A commentary on Huron and Davis (2012).

Review of Patrik Juslin and John Sloboda (Eds., 2010), Handbook of Music and Emotion: Theory, Research, Application .

Musicologia Sistemática: A história e o futuro do ensino acadêmico musical no ocidente.

The tonic as triad: Key profiles as pitch salience profiles of tonic triads.

An accent-based approach to automatic rendering of piano performance: Preliminary auditory evaluation.

Consonance and dissonance in theory and psychology: Disentangling dissonant dichotomies.

Prenatal and infant conditioning, the mother schema, and the origins of music and religion.

Editorial.

Interdisciplinarity in JIMS.