Talks (* = invited)
Lisboa: “Music as a profession: status, careers and organizations (18th-20th centuries), Universidade Nova Lisboa, 30.6-1.7.2022 - participation as a visiting
Klagenfurt. “Music@AlpeAdria”, network meeting, Universität Klagenfurt, 22-23.6.2022*
“Between Endowments, Subsidies and Mediations: the Work of Impresari and Agents in Managing an Opera Season on the Eastern Adriatic Coast”, International Musicological Conference Towards a Common Regional History of Our Nation-Building Strategies, Budapest, 27-28.5.2022*
“Subventionen, Dotierungen, Impresari und Vermittlungen: Opernsaisons an der östlichen Adria um die Jahrhundertwende”, Abendvortrag, Universität Klagenfurt, 27.4.2022*
“Tartini e la Scuola delle Nazioni: un'indagine bio-bibliografica”, Università di Padova, 30.3.2022*
“Opernarchive in Istrien und Dalmatien: Dokumententypologie, Bestand, Nomenklaturen”, Workshop, Universität Leipzig, 25.1.2021.*
“Theater an der östlichen Adria: Organisationspraktiken, Abläufe und gemeinsame Opernbräuche im späten Habsburgerreich”, Abendvortrag, Universität Leipzig, 24.1.2021.*
“Alcune riflessioni a margine del disciplinamento della musica di ambito sacro tra '800 e '900”, Conferenza, Scuola Universitaria di Musica, Lugano (Svizzera), 7.10.2021
“Cäcilianismus und Regulierung des geistlichen Musikrepertoires in Italien:
Disziplinierung oder Zensur?”, Habilitationskolloquium, Karl-Franzens-Universität Graz, 28.5.2021
“Internationale Kompositionswettbewerbe heute: Ausschreibungen, Klausel, Probleme und Perspektiven”, Karl-Franzens-Universität Graz, 3.5.2021
1) “Operatic production systems in Eastern Adriatic theaters: an overview of the archival documents (1861-1918) ”, Lecture, University of Olomouc, 16.4.2019
2) “Organizzare e produrre l’opera in Istria e Dalmazia”, Talk, Malaga (Spain), Conservatorio Superior de Musica, 11.4.2019
3) “Operatic production systems in Eastern Adriatic theaters during the late Habsburg empire: impresari and networks”, International Conference “Opera as Institution: Network and Professions (1700-1914)”, Karl Franzens Universität Graz, 23-24.11.2018
4) invited speaker: “Savoia si va! Italian songs of the First World War between consensus and protest” Jahrestagung der Deutsche Gesellschaft für Musikforschung, University of Osnabrück, 25-27.9.2018*
5) “Opera e italianità nell’Adriatico orientale”, seminar, University of Pavia/Cremona, 31.5-1.6.2018
6) “What archival documents tell us about Eastern Adriatic Theatres and operatic production system at the dawn of the XX Century”, International Conference The role of national opera houses in the 20th and 21st centuries: on the 100th anniversary of the opening of the National Opera in Ljubljana, Ljubljana, 16-18.4.2018*
7) “Organizzare l’opera nell’Adriatico orientale (1861-1918). Problemi e prospettive di ricerca”, Seminari IMLA, University Ca’Foscari, Venezia, 22.1.2018*
8) “Bach e la musica della riforma”, talk, Istituto Italo-Tedesco, Piacenza, 15.12.2017*
9) partecipation at the Third EDUCAMIGRANT Transnational Meeting (Erasmus + Project n. 2015-1-TR01-KA201-021464), Consejerìa de Educaciòn de la Junta de Castilla y Leòn, Valladolid (Spain), 25-28.9.2017*
10) “…e sempre andremo di male in peggio”: impresari e organizzazione operistica da Fiume a Ragusa in epoca di crisi, 2nd Transnational Opera Studies Conference - Tosc@, Universität Bern, 5-7.7.2017
11) “Operatic production system in Eastern Adriatic Theatres”, seminar, University of Ljubljana, 24-25.5.2017
12) “Fernand de La Tombelle e la Schola cantorum”, talk, Centre de musique romantique française, Palazzetto Bru Zane, Venezia, 11.4.2017*
13) “Processi produttivi e organizzativi dell’opera da Zara a Sebenico in epoca austro-ungarica”, University of Bologna, Dipartimento delle Arti, 24 e 30.1.2017
14) “Organizzare l’opera in Dalmazia: impresari, sistema produttivo, networks (1861-1918)”, seminar, University of Catania, Dipartimento di Scienze Umanistiche, 6.12.2016.
15) “Organizzare l’opera in Dalmazia: impresari, sistema produttivo, networks (1861-1918)”, seminar, University of Palermo, Dipartimento Culture e Società, 5.12.2016
16) “Opera italiana nei teatri dell’Adriatico orientale: peculiarità, produzioni, identità nazionale (1861-1918)”, XXIII Convegno Annuale della Società Italiana di Musicologia, Como, 21-23.10.2016
17) “Tracing Italian Opera in Eastern Adriatic Theatres: peculiarities, production system, networks”, poster, Jahrestagung Musik und Migration, Österreichischen Gesellschaft für Musikwissenschaft (Società Austriaca di Musicologia), Salzburg, 6-8.10.2016°
18) “Konzertsaal oder Museum? Über das Hören und den performativen Zusammenhang von Geste und Bild in der Musik Giuseppe Chiaris”, XVI Internationaler Kongress der Gesellschaft für Musikforschung: Wege der Musikwissenschaft, Symposium IV.4, Wider der Fetisch der Partitur: Hörprobleme serielle und post-serielle Musik (Società Tedesca di Musicologia), Johannes Gutenberg Universität Mainz, 14-17.9.2016*
19) “Habilitation – Projekt Presentation”, Kolloquium Musik und Performance, Universität Bayreuth, 19.7.2016*
20) “Tracing Italian Opera in Eastern Adriatic Theatres: peculiarities, productions and role of national identity (1861-1918)”, International Conference Music History and Cosmopolitanism, Helsinki, University of the Arts, 1-3.6.2016
21) “«Dolorosa ci fu la partenza»: i canti di protesta e di nostalgia” in Musica, soldato di pace. La Grande Guerra 1915-2015, Talk, stagione concertistica 2015/2016, Amici della Musica, Palazzo Mantica, Udine, 10.5.2016*
22) "Das italienische Musiktheater in Istrien und Dalmazien in der zweiten Hälfte des 19. Jh.: Probleme und Forschungsperspektiven", Gastvortrag, Universität Wien, Institut für Musikwissenschaft, 28.4.2016*
23) "Il teatro d'opera Italiano in Istria e Dalmazia nella seconda metà dell'Ottocento: problemi e prospettive di ricerca", seminar for doctoral candidates, University of Padova, 20.4.2016*
24) “From the theatre to the church: some remarks on the censorship upon operatic style at the time of the Cecilian regimentation”, Slovenian Music Days, Slovenian Society of Musicology, Ljubljana, Slovenia,16-19.4.2016*
25) “«Divine!» «Egregious!» «Incomparable!»: keywords for celebrity and divas descriptions in post unification Italy’s musical press”, Colloque international et interdisciplinaire De Farinelli à Bowie : l'invention de la célébrité en musique (XVIIIe-XXIesiècles) Dispositifs. Figures. Œuvres, Paris, France, 26-28.11.2015
26) “Opera italiana nei teatri dell’Adriatico orientale: una prima ricognizione (1861-1918)” (“Italian opera in Eastern Adriatic Theatres: a first investigation [1861-1918]”), XIX Colloquium of Musicology of the Saggiatore Musicale, Bologna, Italy, 20-22.11.2015
27) “Describing Divas: Verdian singers and music criticism in the press of the post-unitarian Italy”, International Conference XIX Century music criticism, Lucca – Centro Studi Opera Omnia Luigi Boccherini, Italy, 10-12.11.2015
28) “«Cantò spiegando un tesoro inesauribile di grazia»: cantanti verdiane e critica musicale nell’Italia post unitaria”, XXII Annual Conference of the Italian Society of Musicology, Perugia, Italy, 30.10.2015-1.11.2015
29) “Contemporary opera in Italian theatres from the second postwar period to the Seventies”. International conference Between universal and local: modernism to postmodernism, World Music Days, University of Ljubljana, Slovenia, 28-30.9.2015
30) “«Se cantassi sovente con quell’impegno febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished correspondence”, 1st Transnational Opera Studies Conference Tosca, University of Bologna, Italy, 1.7.2105
31) “Verdi biographies: historical evolution and perspectives”, International Conference Musical biography: national ideology, narrative technique, and the nature of myth, University of London, Institute of Musical Research, Senate House, UK, 9.4.2015
32) “Giuseppe Verdi e l’Otello: influssi, caratteri e identità” (“Giuseppe Verdi and Otello: influences, characters, identities”), Talk, University of Zadar, Ceremony Hall, Croatia, 23.2.2015
33) “Attorno alla creazione dell’Otello verdiano: caratteri e identità” (“Around the creation of the verdian Otello: characters and identities”), Doctoral seminar, University of Padua, Beni Culturali Department, Italy, 2.2.2015*
34) Gastvorträge, Martin Luther Universität Halle-Wittenberg, Institut für Musikwissenschaft, Germany, 15-19.12.2014*
35) “La ricerca bibliografico musicale: strumenti e metodi nel panorama internazionale” (“The music-bibliographic research: tools and methods in the international panorama”), seminar, Conservatory "A. Boito", Parma, Italy, 5.12.2014*
36) “I canti di protesta nella Grande Guerra” (“Protest songs of the First World War”), International Conference Music and war from Napoleon to the WWI, Lucca, Complesso di San Micheletto, Italy, 30.11.2014
37) “Operatic activity in Italian theatres during the World War 1”, International Conference Theatres of the World War I, St. Petersburg State Museum of Theatre and Music, Russia, 24.10.2014
38) “Romilda Pantaleoni tra Ponchielli, Verdi e Puccini: quale ruolo sui palchi italiani di fine Ottocento?” (“Romilda Pantaleoni between Ponchielli, Verdi e Puccini: what role on Italian stages of the late Nineteenth Century?”), XXI Annual Conference of the Italian Society of Musicology, Verona, Conservatory “Dall'Abaco”, Italy, 19.10.2104
39) “The Brandenburg Concerto n. 4 (BVW 1049) by J. S. Bach”, Doctoral seminar, Comenius University, Department of Musicology, Bratislava, Slovakia, 25.9.2014*
40) “I canti italiani della Grande Guerra” (“Italian Songs of the First World War”), Talk, Istituto Italiano di Cultura in Bratislava, Slovakia, 24.9.2014
41) “«In Milan great things are to be prepared»: Bruno Maderna and Luciano Berio in the Fifties”, seminar, Comenius University, Department of Musicology/ Bratislava, Slovakia, 23.9.2014*
42) “I canti della Grande Guerra” (“Songs of the First World War”), Talk, Società Dante Alighieri - Graz, Austria, 17.6.2014
43) “The 'Studio di Fonologia Musicale' of the RAI in Milan: composers and works between the Fifties and the Sixties”, seminar, University of Ljubljana, Faculty of Arts, Department of Musicology, Slovenia, 26-27.5.2014*
44) “Introduzione al quinto concerto brandenburghese (BWV 1050) di J.S. Bach” (“Introduction to the fifth Brandenburg Concerto BWV 1050 by J.S. Bach”), seminar, Conservatory “G. Frescobaldi”, Ferrara, Italy, 30.4.2014*
45) “Il quarto concerto brandenburghese di Bach: un’analisi” (“The fourth Brandenburg Concerto by Bach: an analysis”), seminar, Conservatory “F. Dall'Abaco”, Verona, Italy, 16.4.2014*
46) “«Qui si muore gridando: assassini!»: singing the protest in Italy during the First World War”, Slovenian Music Days, Slovenian Society of Musicology, Lijubljana, 13.3.2014
47) “Strumenti della ricerca musicologica” (“Tools for musicological research”), seminar, Conservatory "G. Tartini", Trieste, Italy, 24.1.2014*
48) “The reform of sacred music in North-Eastern Italy (1884-1907): impulses, contradictions, expectations”, Ars Sacra International Conference and Festival, Emanuel University - Oradea, 14.12.2013
49) “«Si approva per l’esecuzione»: regolamentazione del repertorio sacro in territorio udinese agli albori del Novecento” (“«Approved for performance»: regulations for the religious repertoire in the territory of Udine at the dawn of the XXth century”), Study Day Candotti, Tomadini, De Santi e la riforma della musica sacra nella seconda metà dell’Ottocento (Candotti, Tomadini, De Santi and the reform of religious music in the second half of XIXth Century), Venice, Levi Foundation, Italy 14.11.2008
50) “Per una storia dell’attività concertistica attorno agli “Amici della Musica” di Udine” (“For a history of the concert activity related to the “Amici della Musica”/”Music Friends” Association in Udine”), Talk for the 85th anniversary of the “Amici della Musica”, included in the 2006/2007 concert season of the “Amici della Musica” association, Udine, Italy, 13.1.2007
51) “Alcune riflessioni sul concetto di “autenticità” dell’interpretazione musicale” (“A few reflections on the concept of “authenticity” in musical interpretation”), X Colloquium of Musicology of the Saggiatore Musicale, Bologna, Italy, 25.11.2006
52) “Echi del concertismo internazionale in territorio friulano: artisti celebri attorno alla società “Amici della Musica” di Udine” (“Echoes of international concert practice on the Friulian territory: famous artists around the “Amici della Musica /“Music Friends” Society of Udine”), XII Annual Conference of the Italian Society of Musicology, Torino, Teatro Regio, Italy, 20.10.2006
53) “L’interpretazione musicale secondo il concetto di “autenticità”, tra archeologia della musica e decostruzionismo” (“Musical interpretation according to the concept of “authenticity”, between archaeology and deconstructionism”), University of Udine Udine, Doctorate course in Theory, Techniques and Restoration of Cinema, Music and Audiovisuals, Italy, 6.6.2006
54) “Csound come strumento universale per la sintesi del suono” (“Csound as universal instrument for sound synthesis”), 36° International Conference of Musical Studies in Gorizia, Gorizia, Italy, 13.7.2005
55) “Siro Cisilino (1903-1987) trascrittore e curatore di musica rinascimentale” (“Siro Cisilino (1903-1987), transcriber and editor of Renaissance music”), 35° International Conference of Musical Studies in Gorizia, Gorizia, Italy, 12.7.2004
56) “La diaspora dei musicisti friulani in Europa nel Rinascimento” (“The diaspora of Friulian musicians in Europe during the Renaissance”), Talk for the seminar of scientific readings organised by the Philharmonic Academy of Bologna in Verona, prof. Giuseppe Vecchi, Italy, 28-29-30.8.2004.
Organised mobilities (incoming – Karl-Franzens-Universität Graz)
Dr. Lena van der Hoven (Universität Bayreuth), Sudafrikanische Opernproduktion nach der Apartheid, Karl Franzens Universität Graz, 16.1.2020
Prof. Claudio Toscani (Università di Milano), "Zu meiner Zeit..." Ein Gemeinplatz der Oper: Die Musikstunde, Karl Franzens Universität Graz, 13.12.2018
Prof. Ivano Cavallini (Università di Palermo), Intermedio and Chorus: Re-thinking Theories and Practices in Sixteenth-Century Italian Theatre, Karl Franzens Universität Graz, 30.11.2017