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University of Graz Brandt, Stefan, Univ.-Prof. Dr. M.A. Syllabi and Reading Lists
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  • Syllabi and Reading Lists

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Syllabi and Reading Lists (selection)

Be Your Self: American Fictions of Initiation and Self-Empowerment

Going Viral: American Bestsellers from the 18th Century until Today

Where Dreams Come True: Walt Disney and American Cultural Identity

The World in a Nutshell: The American Short Story after World War II

Beyond Belief? A Cultural History of the ‘Confidence Man’ from P.T. Barnum to Donald Trump

Laughing Hysterically: The American Sitcom from I Love Lucy to The Big Bang Theory

Writing America: American Literature from the Colonial Era to Postmodernism

Worlds Apart? Cyborgs, Time Loops, and Parallel Universes in American Science Fiction Literature

Silly Symphonies: U.S. Animation Films from Felix the Cat to The Simpsons

Tell It As It Is: American Literary Realism and Naturalism

Against All Odds: Nonconformists, Outcasts, and Underdogs in U.S. American Literature

Bad Literature? 'Pulp' Writing, Sensationalism, and the Lure of Popular Fiction

Brave New Worlds? The Utopian/Dystopian Imaginary in American SF Films and Literary Texts

Politically Incorrect: Censorship, Outrage, and Public Dissent in American Cinema and Writing

Talkin’ about a Revolution: U.S. Revolutionary and Post-Revolutionary Literature, 1770s – 1820s

INTO THE GREAT WIDE OPEN: North American Nature Writing from Henry David Thoreau to Cormac McCarthy

On the Road: Rebellion and Self-Discovery in U.S. Road Movies

“I WANT TO BELIEVE”: CONSPIRACY THEORIES in American Cinema and TELEVISION

Cultures of Denunciation: Defamation, Ostracism, and Exclusion in North American Literature

A Touch of Evil: American Film Noir and Neo-Noir

Be a Man! American Masculinities from Romanticism to Postmodern Writing

Burgeoning Selves: American Literature as Bildungsliteratur from Sentimental Fiction to Contemporary Life Writing

Disney As Art: Animation Films and the Aesthetic Transformation of Cinema from Snow White to Encanto

Roaring Laughter: American Film Comedies from Charlie Chaplin to Greta Gerwig

Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson, Whitman, and Melville

“Tis so appalling – it exhilarates”: U.S. Gothic Short Fiction from Washington Irving to Stephen King

Misfits: Non-Conformism, Rebellion, and Disability in U.S. American Film and Television

“The World Is a Book”: American Travel Writing and the Transoceanic Imaginary

Beyond Words: Unveiling Trauma in North American Holocaust Narratives

Master Research Seminar

Doktoratskolloquium "Mensch - Tier - Maschine (Grenzen und Transformationen kultureller Praxis)"

American Culture

American Film History

American Literary History

Introduction to Literary Studies II

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