| “Introduction: Scaffolds and Screens—Genealogies of Public Shaming from Nineteenth-Century Print to Twenty-First Century ‘Cancel Culture.’” Cancel Culture in Nineteenth-Century American Literature. Eds. Stefan L. Brandt and Alexandra Urakova. Basingstoke: Palgrave [forthcoming 2026]. |
| ---. 2026b. “The Scarlet Threshold: Power, Denunciation, and Rebellion at the Margins in The Scarlet Letter.” Cancel Culture in Nineteenth-Century American Literature. Eds. Stefan L. Brandt and Alexandra Urakova. Basingstoke: Palgrave [forthcoming 2026]. |
| “Foreword: Travelling Literature–Lady Bose, Tagore, and the Aesthetics of Transculturality.” In Connecting Spaces: The Travelogues and Letters of Lady Abala Bose, edited by Saptarshi Mallick, Routledge, 2024, pp. xiii–xx. |
| “Introduction: Societal Transformations in American Fiction and Poetry Writing” (with Frank Mehring and Tatiani G. Rapatzikou). In Societal Transformations and American Literatures in the World, edited by S. L. Brandt, F. Mehring, and T. G. Rapatzikou, AmLit – American Literatures, vol. 4, no. 1, 2024, pp. 4–11. DOI: 10.25364/27.4:2024.1.1. |
| “Bildungsliteratur as World Literature: The Aesthetics of Traveling and the Transatlantic Imaginary in Nathaniel Hawthorne’s The Marble Faun (1960).” In Literature and World – Literature as World: Essays in Honour of Werner Wolf, edited by Maria Löschnigg and Martin Löschnigg, Universitätsverlag Winter, 2023, pp. 99–112. |
| “Introduction: Body Politics in North American Literary Fictions” (with Frank Mehring and Tatiani G. Rapatzikou). In Body Politics in North American Literary Fictions, edited by S. L. Brandt, F. Mehring, and T. G. Rapatzikou, AmLit – American Literatures, vol. 3, no. 2, 2023, pp. 4–11. DOI: 10.25364/27.3:2023.1.1. |
| “Introduction: Information Management, Cultural Memory, and the Challenges of Digitality” (with Frank Mehring and Tatiani G. Rapatzikou). In Electronic Wastelands? Information Management, Cultural Memory, and the Challenges of Digitality, edited by Stefan L. Brandt, Frank Mehring, and Tatiani G. Rapatzikou, AmLit – American Literatures, vol. 3, no. 1, 2023, pp. 4–14. DOI: 10.25364/27.2:2022.2.0. |
| “Towards a Poetics of Fact: Subjugated Knowledges, Historiographic Metafiction, and the ‘Terrible Truth’ behind Words in Early Nineteenth-Century American Literature.” In Writing Facts, edited by Susanne Knaller, transcript, 2023, pp. 143–162. |
| “‘Lighting Out for the Territories’: Ecomasculinities in U.S. American Literature.” In Routledge Companion to Masculinity in American Literature and Culture, edited by Lydia R. Cooper, Routledge, 2021, pp. 74–90. |
| “Coyote Practices – Ecomasculinities in Postmodern North American Literature.” In Men, Masculinities, and Earth: Contending with the (m)Anthropocene, edited by Paul Pulé and Martin Hultman, Palgrave Studies in the History of Science and Technology, Palgrave Macmillan, 2021, pp. 445–462. |
| “Daze of Doom – Globalization and the Transformation of National Paradigms in U.S. American Environmental Films.” In The Humanities in the Age of Globalization, edited by Irakli Tskhvediani et al., Akaki Tsereteli State University Press, 2021, pp. 1–13. |
“Fear of an Islamic Planet? Intermedial Exchange and the Rhetorics of Islamophobia.” European Journal of
American Studies, vol. 15, no. 3 (Fall 2020). Special issue Media Agoras: Islamophobia and Inter/Multimedia
Dissensus, edited by Elena Furlanetto and Frank Mehring. DOI: 10.4000/ejas.16159 [peer-reviewed]. |
| “Donald Trump, the Reality Show: Populism as Performance and Spectacle.” Zeitschrift für Literaturwissenschaft und Linguistik, vol. 50, no. 2 (2020). Special issue on Populism, edited by Constanze Spiess and Georg Weidacher. DOI: 10.1007/s41244-020-00170-3. |
| “Time Ravel: History, Metafiction, and Immersion in Stephen King’s 11/22/63.” In The Modern Stephen King Canon: Beyond Horror, edited by Philip L. Simpson and Patrick McAleer, Lexington Books, 2019, pp. 183–202. |
| “Introduction: Ecomasculinities in North American Literary and Cultural Practice” (with Rubén Cenamor). In Negotiating New Forms of Male Gender Identity in North America, edited by Stefan L. Brandt and Rubén Cenamor, Lexington Books, 2019, pp. vii–xvi. |
| “The Wild Ones: Ecomasculinities in the American Literary Imagination.” In Ecomasculinities: Negotiating Male Gender Identity in U.S. Fiction, edited by Stefan L. Brandt and Rubén Cenamor, Lexington Books, 2019, pp. 1–30. |
| “Animals on American Television: Introduction to the Special Issue” (with Michael Fuchs). In Animals on American Television, edited by Michael Fuchs and Stefan L. Brandt, European Journal of American Studies, vol. 13, no. 1 (2018), pp. 1–7. |
| “Horsing Around: Carnivalesque Humor and the Aesthetics of Dehierarchization in Mister Ed.” In Animals on American Television, edited by Michael Fuchs and Stefan L. Brandt, European Journal of American Studies, vol. 13, no. 1 (2018), pp. 1–22 [peer-reviewed]. |
| “History, Time, and Lived Experience in Toni Morrison’s Beloved (1987), Jazz (1992), and Paradise (1997).” Zeitschrift für Anglistik und Amerikanistik (ZAA), vol. 64, no. 4 (Dec. 2017), pp. 395–411. DOI: 10.1515/zaa-2017-0037 [peer-reviewed]. |
| “Open Doors, Closed Spaces: The Transatlantic Imaginary in American City Writing from Post-Revolutionary Literature to Modernism.” In Cities and the Circulation of Culture in the Atlantic World from the Early Modern to Modernism, edited by Leonard Van Morzé, Palgrave Macmillan, 2017, pp. 179–205. |
| “The American Revolution and Its Other: Mimicry and Specularity as Performative Devices in Indigenous Resistance Writing from William Apess to Sherman Alexie.” Arbeiten aus Anglistik und Amerikanistik (AAA), vol. 42, no. 1 (2017), pp. 35–56. |
| “The Algerine Dilemma: (Cons)Piracy and the Specter of North Africa in Early U.S. Barbary Narratives.” In Hemispheric Encounters: The Early United States in a Transnational Perspective, edited by Gabriele PisarzRamirez and Markus Heide, Peter Lang, 2016, pp. 157–171. |
| “One of Those Guys in the Movies: Juvenile Rebellion and Carnal Subjectivity in J.D. Salinger’s The Catcher in the Rye.” Polish Journal for American Studies, vol. 10, 2016, pp. 49–64 [peer-reviewed]. |
| “Not a Puzzle So Arbitrarily Solved: Queer Aesthetics in Alice Munro’s Short Fiction.” Zeitschrift für Kanadastudien, vol. 36, 2016, pp. 28–41 [peer-reviewed]. |
| “A Farewell to the Senses? Hemingway, Remarque, and the Aesthetics of World War I.” In North America, Europe and the Cultural Memory of the First World War, edited by Martin Löschnigg, Winter Verlag, 2015, pp. 215–225. |
| “Scale, Media Transfer, and Bodily Space in ‘Giant Movies’ of the Fifties.” In Transmediality and Transculturality, edited by Nadja Gernalzick and Gabriele Pisarz-Ramirez, Carl Winter Verlag, 2013, pp. 349–367. |
| “Trafficking in Blackness? The Coolness of ‘Black’ and the Politics of Ethnic Marketing.” In Is It Cause It’s Cool? Affective Encounters with American Culture, edited by Astrid M. Fellner, Susanne Hamscha, Klaus Heissenberger, and Jennifer J* Moos, LIT Verlag, 2013, pp. 201–224 [peer-reviewed]. |
| “Sex, Lügen und Video-Clips: Szenarien krisenhafter Männlichkeit in der zeitgenössischen Populärkultur.” In Die Krise als Erzählung: Transdisziplinäre Perspektiven auf ein Narrativ der Moderne, edited by Walburga Hülk, Uta Fenske, and Gregor Schuhen, transcript, 2013, pp. 189–204. |
| “Guy Maddin, My Winnipeg (2007).” In Film: Part II, edited by Susanne Peters, Klaus Stierstorfer, Dirk Vanderbeke, and Laurenz Volkmann, WVT, 2013, pp. 481–505. |
| “Portable Blackness: Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem.” In Proceedings of the 6th World Congress of the International American Studies Association (IASA), edited by Sonia Torres, Universidade Federal Fluminense, Rio de Janeiro, Brazil, June 2011. |