2012.

Cosmos - Soul - Text. Forms of participation and their literary mediation. Marsilio Ficino, Pierre de Ronsard, Giordano Bruno. Heidelberg: Universitätsverlag Winter (New Forum for General and Comparative Literature Vol. 48), 2012.

Reviews:

S. Kodera, Renaissance Quarterly 66 (2013), pp. 1482-1483

L. Simonis, Comparatio 5 (2013), pp. 341-343

J. Lethbridge, The Spenser Review 44.1.5 (2015)

C. Lecouteux, Le Moyen Âge 120 (2014), p. 194

M. Cer, Medioevo latino 35 (2014), 301-302

W. Helmich, Journal for Romance Philology 131/4 (2015), pp. 1078-1082

J.-H. Witthaus, Romanistisches Jahrbuch 64 (2013), pp. 204-207

2005.

Archival poetics. The function of knowledge in Goethe's "Faust II". Tübingen: Niemeyer (Hermaea, vol. 108), 2005.

Reviews.

A. Heydenreich, Germanistik, 50 (2005), p. 290

F. Möbus, Goethe-Jahrbuch 123 (2006), pp. 272-274

A. Vierhufe, "Goethe as creative archivist. Knowledge transformation in Faust II", IASLonline, 25.10.2006.

2022

Ibridismo siciliano e memoria in Retablo di Vincenzo Consolo. In: Brühne, Julia; von Heydendorff, Christiane Conrad; Fanfani, Giulia; Rivoletti, Christian (eds.): Forme ibride e intrecci intermediali. Da Giotto e Dante alla narrativa e alla docufiction contemporanee/Hybridisierung der Formen und intermediale Verflechtungen. From Giotto and Dante to contemporary narrative and docu-fiction. Frankfurt am Main. Peter Lang.from Giotto and Dante to contemporary narrative and docu-fiction. Frankfurt am Main. Peter Lang. 129-141

2021

Introduzione. In: Lettere Aperte. 7/2020,7. 2021. 5-6.

2021

Italian literature of the Cinquecento. In: Antje Lobin, Eva-Tabea Meineke (eds.): Handbook Italian. Language - Literature - Culture. For study, teaching and practice. Berlin. Erich Schmid. 2021. 365-375.

2021

Goethe's Concept of Archive and Archive Poetics using the Example of a Scene from Faust II. In: Klaus Kastberger, Christian Neuhuber (eds.): Archives in/from literature. The interplay of two media. Berlin. De Gruyte. 2021, 13-27.

2020.

Self-assurance through dream description. The role of dreams for autobiographical writing in Cardano's 'De vita propria'. In: Leaps in time. 24,3/4. 2020, 329-348.

2020.

La memoria risorgimentale ne I vecchi e i giovani di Luigi Pirandello. In: Domenica Elisa Cicala/Fausto De Michele (eds.): Pirandello in un mondo globalizzato. Narrazione - Memoria - Identità. Frankfurt a. M. Peter Lang. 2020, 5-23.

2019.

Judgment and Comedy in the Italian Renaissance and in Giordano Bruno's Candelaio. In: Yearbook of Literary Studies 60 (2019), 181-203.

2019.

Les sémantisations de la mer dans le roman Partir (2006) de Tahar ben Jelloun. In: Albert Göschl, Yvonne Völkl (eds.): Observations. Observations on Literature and Morality in Romania and the Americas. Vienna Lit. 2019, 321-330

2018.

The aesthetics of wonder and amazement in Carlo Gozzi's Fiabe teatrali, especially in L'amore delle tre melarance and L'augellino belverde. In: Natascha Adamowsky, Nicola Gess, Mireille Schnyer, Hugues Marchal, Johannes Bartuschat (eds.): Archaeology of special effects. Paderborn: Wilhelm Fink, 2018, pp. 145-159.

2017.

Metaphysical and social communication as foundations of Marsilio Ficino's philosophical poetics. In: Jutta Eming and Michael Dallapiazza...., pp. 87-100.

2017.

The lost meaning of action. Manzoni's tragedies in a European context. In: Manzoni's Europe - Europe's Manzoni/L'Europa di Manzoni - Il Manzoni dell'Europa. Edited by Angela oster, Francesca Broggi-Wüthrich and Barbara Vinken. Munich: Herbert Utz, 2017, pp. 209-247.

2016.

The aesthetics of wonder and amazement in Carlo Gozzi's Fiabe teatrali, especially in L'amore delle tre melarance and L'augellino belverde.

2015.

The Aesthetic Dimension of Spiritual Beings in the Early Modern Period. In: Steffen Schneider (ed.): Aisthetics of the Spirits - Spirits in Early Modern Science, Religion, Literature and Music. Göttingen/Berlin: V&U unipress (EpiFaNIen - Frühe Neuzeit interdisziplinär, vol. 1), 2015, pp. 9-18.

2015.

Machina abscondita. The technology of nature and the lack of man in Fontenelle's "Entretiens sur la pluralité des mondes". In: Art and/or technology? Function and Repositioning of a Dialogue in the Literatures and Knowledge Cultures of the Early Modern Period. Edited by Angela Oster. Freiburg i. Br.: Rombach 2015, pp. 265-279.

2015.

Mysticism and violence in Gustave Flaubert's 'La Légende de saint Julien l'Hospitalier'. In: Comparatio. Journal for Comparative Literature, 7 (2015), pp. 53-74.

2014.

Writing After Copernicus: Epistemology and Poetics in Giordano Bruno's "Ash Wednesday Supper". In: The Making of Copernicus. Early Modern Transformations of a Scientist and his Science. Edited by Wolfgang Neuber, Thomas Rahn, Claus Zittel. Leiden, Boston: Brill (Intersections. Interdisciplinary Studies in Early Modern Culture, Vol. 36), 2014, pp. 131-154.

2013.

The performativity of Marsilio Ficino's "De amore". In: Romanistisches Jahrbuch 63 (2012) [2013], pp. 217-244.

2010.

Faust the restless. Goethe's recourse to an anthropological concept of the early modern period, especially Marsilio Ficino's. In: Faust, homme Renaissance. Edited by Jacques le Rider and Bernard Pouderon. Paris: Beauchesne 2010, pp. 79-92.

2007.

The popular is nowhere. Mass culture, wish fulfillment and aesthetic reflection in Michel Houellebecq's "Plateforme". In: The Popular of Society. Systems theory and popular culture. Edited by Christian Huck and Carsten Zorn. Wiesbaden: VS Verlag für Sozialwissenschaften, 2007. pp. 97-116.

2007.

The ciphered text of the stars. On the perception, meaning and poetization of the sky in Bruno's "Cabala del cavallo pegaseo con l'aggiunta dell'asino cillenico". In: The Cabala of Pegasus. Approaches to a text by Giordano Bruno. Edited by Steffen Schneider and Philipp Theisohn. Hamburg: Felix Meiner, 2007 (special issue of the Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, issue 52/1 2007), pp. 57-77.

2007.

Eros and Imagination in Ariosto's "Orlando Furioso". In: Eros. On the Aestheticization of a (New) Platonic Philosophy in Modern Times and Modernity. Edited by Maria Moog-Grünewald. Heidelberg: Universitätsverlag Winter (Neues Forum für Allgemeine und Vergleichende Literaturwissenschaft vol. 32), 2006, pp. 51-71.