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Other publications

Reviews

Weth, K. & Parncutt, R. (2013). Patrik Juslin and John Sloboda (Eds.,), Handbook of music and emotion: Theory, research, application. Psychology of Music, 41(4), 522-527. text

Parncutt, R. (2008). David Temperley, Music and Probability. Psychology of Music, 36, 501-506. text

Parncutt, R. (2007). Interval makes the show: Ross W. Duffin, How equal temperament ruined harmony (and why you should care). Times Higher Education Supplement, 2 March. text

Parncutt, R. (1998). Listening to music in the real world? A critical discussion of Marc Leman’s Music and Schema Theory. Journal of New Music Research, 27, 380-408. text

Parncutt, R. (1997). Seminar on Regulation of Creative Processes in Music (Berlin, Germany, July '96). Computer Music Journal, 21(1), 68-69. 

Parncutt, R. (1997). International Symposium on Systematic Musicology (Brugge, Belgium); and 12. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (Freiburg, Germany). ESCOM Notebook.

Parncutt, R. (1996). Praxis, Lehre, Wahrnehmung. Kritische Bemerkungen zu Roland Eberlein: Die Entstehung der tonalen Klangsyntax. Musiktheorie, 11, 67-79.

Parncutt, R. (1995). Roland Eberlein, Die Entstehung der tonalen Klangsyntax (The emergence of tonal-harmonic syntax). Jahrbuch Musikpsychologie, 12, 176-178. text

Parncutt, R. (1995). David Butler, The Musician's Guide to Perception and Cognition. Music Perception, 13(2), 253-260. text

Parncutt, R. (1995). Stephen McAdams & Emmanuel Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition. ESCOM Newsletter, 7, 2-5.

Parncutt, R. (1994). Diana Raffman, Language, Music, and Mind. Computer Music Journal, 18(4), 101-104.

Parncutt, R. (1994). Annual meeting of SMPC (Philadelphia, PA). ESCOM Newsletter, 6, 16-19; Music Theory Online, 0 (6).

Parncutt, R. (1993). Lelio Camilleri (Ed.), Minds and Machines 2 (4), November '92 (Special issue on Music and Cognition). Computer Music Journal, 17(4), 79—82.

Parncutt, R. (1988). First international meeting of Music Notation Modernization Association (Norwich, UK). Musical Times, cxxi/1749, 619. text

Parncutt, R. (1987). Gardner Read, Sourcebook of proposed music notation reforms. Music Notation News, 1(6), 1–4.

 

Dictionary and encyclopedia entries

Howard, D., & Parncutt, R. (2014). Tuning systems. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 1151-1153). Los Angeles: Sage.

Pearl, J. G. S., & Parncutt, R. (2014). Empirical musicology. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 392-393). Los Angeles: Sage.

Parncutt, R. (2014). Fingering. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 481-484). Los Angeles: Sage.

Parncutt, R. (2014). Harmony. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 529-532). Los Angeles: Sage.

Parncutt, R. (2014). Roughness and beats. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 970-972). Los Angeles: Sage.

Stover, C., & Parncutt, R. (2014). Intonation. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 637-641). Los Angeles: Sage.

Stover, C., & Parncutt, R. (2014). Fourier analysis. In W. F. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia (pp. 489-492). Los Angeles: Sage.

Parncutt, R., & Drake, C. (2001). Psychology: Rhythm. In S. Sadie (Ed.), New Grove Dictionary of Music and Musicians, 20, 535-538, 542-53. text

Parncutt, R., & Levitin, D. J. (2001). Absolute pitch. In S. Sadie (Ed.), New Grove Dictionary of Music and Musicians, 1, 37-39. London, UK: MacMillan. text

 

Introductions

Parncutt, R., & Timmers, R. (2019). Preface. ESCOM 25th anniversary conference. Musicae Scientiae (Special issue), 23(3), 279-280.

Parncutt, R., & Gedik, A. C. (2009). Editorial. Journal of Interdisciplinary Music Studies, 3, vii. text

Parncutt, R., & Gedik, A. C. (2008). Interdisciplinarity in JIMS. Journal of Interdisciplinary Music Studies, 2, ix-xi. text

Parncutt, R. (2008). Why systematic musicology? Why a student conference? In M. M. Marin et al. (Eds.). SysMus08: Abstracts (p. 9). Graz, Austria: University of Graz. text

Parncutt, R. (2007). From the academic director. In K. Maimets-Volt et al. (Eds.), CIM07: Abstracts (pp. 16-19). Tallinn, Estonia: Estonian Academy of Music. text

Parncutt, R. (2006). Interdisciplinary musicology. Foreword to Musicae Scientiae, special issue '05-'06 "Interdisciplinary musicology" (pp. 7-11).  text

Parncutt, R. (2005). Breve storia delle musicologia multi- e inter-disciplinare. Rivista di Analisi e Teoria Musicale, 10 (2), 10-14. (Introduction to special issue "Musica e ricerca interdisciplinare" edited by Mario Baroni containing papers presented at CIM04.) text

Parncutt, R. (2004). Aims and ethos of CIM04. In R. Parncutt et al. (Eds.), CIM04: Abstracts (pp. 12-23). Graz, Austria: Khil. text

 

Other categories

Parncutt, R. (2020). Grounding the ICMPC. Computer Music Journal

Parncutt, R. (2020). Innovative wissenschaftliche Konferenzkultur: Weniger Emissionen, mehr Inklusion, bessere Dokumentation. Weiterbildung, 5|2020, 34-37.

Parncutt, R. et al. (2009, 2010, ... 2019). Annual reports of the Centre for Systematic Musicology, University of Graz. systematische-musikwissenschaft.uni-graz.at/de/zentrum/jahresberichte.

Parncutt, R., & Makomaska, S. (2018). Andrzej Rakowski 1931–2018, internationally distinguished scholar and founding member of ESCOM. Musicae Scientiae, 22(4) 562–566. text

Parncutt, R. (2014). Thinking outside the box: A tribute to Ernst Terhardt on his 80th birthday. Zeitschrift für Audiologie (Audiological Acoustics), 53 (4), 166-169. text

Parncutt, R. (2006). Commentary on Mashinter's "Calculating sensory dissonance". Empirical Musicology Review, 1(4). text

Parncutt, R. (2006). Peer commentary on N.D. Cook & T. X. Fujisawa, "The psychophysics of harmony perception: Harmony is a three-tone phenomenon". Empirical Musicology Review, 1(4), 204-209. text

Miskiewicz, A., & Parncutt, R. (1991). Ausbildung des Klangfarbengehörs im Rahmen der Tonmeisterausbildung an der Musikhochschule in Warschau (Timbral ear training for Tonmeister students at the Warsaw Academy of Music). Tonmeister Informationen, 5/6/7, 20-23.

Parncutt, R. (1990). Spontaneous tempo, apparent speed, pulse salience, and event salience in musical rhythms. Speech Transmission Laboratory: Quarterly Progress and Status Reports, 1/1990, 9-23. text

Parncutt, R. (1990). Pitch properties of chords of octave-spaced tones. Speech Transmission Laboratory: Quarterly Progress and Status Reports, 1/1990, 25-36. text

Univ.-Prof. Dr.phil.

Richard Parncutt

Univ.-Prof. Dr.phil. Richard Parncutt Centre for Systematic Musicology

Merangasse 70
8010 Graz, Austria

Telefon:+43 316 380 - 8161


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